![]() ![]() “The cost of that many cards? I just heard - no Christmas tree at Rockefeller Center.” Meyers also notes that the special, guest-free episode required more cue cards than they have ever used in “Late Night” history. “You remember in ‘The Shawshank Redemption,’ the character Brooks who was in prison so long he didn’t know how to be out of prison? That’s me when I don’t have this office to come to.” “We haven’t done our show for five months and I’m just mostly so happy to be with you here tonight,” he says. Meyers - dressed in a black sweater and jeans, a more casual look he has sported since the pandemic - takes to the stage and spends a few minutes speaking off the cuff to the audience before the taping begins. All the while, Feresten continues to mark up the cue cards with a Sharpie - crossing out a word here, adding a red underline for emphasis there - before handing it to a young assistant over his right shoulder.Īn hour later, it’s showtime. Lauren Boebert getting “horned up” at “Beetlejuice the Musical” is reworked because John Oliver had a similar punchline on Sunday’s “Last Week Tonight.” They tinker with the wording of a bit about a (non-existent) podcast hosted by ex-presidents to help Meyers land his wobbly Jimmy Carter impression. ![]() Gentile, longtime producer Michael Shoemaker and head writer Alex Baze are in the room making revisions on the fly.Ī joke about Rep. Meyers returns to the task at hand, racing through material updated to include Trump’s combative appearance earlier that day in a Manhattan courtroom. “When your wife hears the chain saw, she goes, ‘SAL!’” says Meyers, feigning the voice of an indignant woman. “Well over 250,” Feresten replies, joking that he had to cut down a tree in his backyard to make the cue cards. The host looks at the massive stack of posterboard in Feresten’s left hand, and asks how many cards he’s prepared for the night - anticipating a record. With his feet on a desk, Meyers sits facing Wally Feresten, who creates the handwritten cue cards for every episode of “Late Night” and “Saturday Night Live.” The script for the supersized “Closer Look,” by supervising writer and producer Sal Gentile, runs 80 pages. The last time “Late Night With Seth Meyers” was in production, Tucker Carlson had just been fired from Fox News and former President Trump had only been indicted a single time.Ī lot has happened in the five months since the show has been off the air, so for their post-strike return, Meyers and his team decided to do an extended version of “A Closer Look,” the recurring segment that takes a deep dive into a subject in the news. on Monday and Seth Meyers is in his dressing room at 30 Rockefeller Plaza, running through cue cards for the first time since the Writers Guild of America went on strike May 2. ![]()
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